From the Archives: Austin's Celica Shoot II

A long, long time ago, I took more photos of my friend Austin's Celica. I say "more" because an even longer time ago, I took some photos of his Celica. Anyways, I took these additional photos of his Celica, but I never got around to editing and publishing them because school got super busy. But, here they now are.

Just because they're old photos doesn't mean they're useless. In fact, I found going through them enlightening on how much I've grown with lighting, composition, color, etc. Also, Lightroom and Photoshop don't care when the photos were taken, meaning I had new canvases to experiment with different editing styles. I experimented with more washed-out/lighter colors plus gradients to give more mood to the photos and to convey the heat and feelings of a summer sunset. Furthermore, I experimented with color, using warming filters and brown colors with gradients to enhance these effects. I definitely liked how these turned out, so hopefully I'll start doing more of this to broaden my styles.

I also got to see how I had no idea how external lighting worked, as seen in these next few photos. I relied on the little light in the day I had left for them, and when that disappeared, using the flash but not very well.

I think it's great to go back and look at your older work. You can see what worked, what didn't, what you still do, and how you've improved. Even though I felt like I've stagnated over the past year or so, I've seen that my efforts to try new things, and my overall photography skills, have actually improved. Hopefully this will also be the start of going through old photos (hence the "From the Archives" title), mainly because I do want to eventually get to my Monterey Car Week 2016 photos....

Dalton and Rachel's Mustangs- Rolling Shots

It's funny how life works sometimes. I've seen Dalton and Rachel's Mustangs at car shows aplenty in the past, but they were like most of the other cars in the show: amazing machines, but faceless and without an owner. I could admire and tag photos on Instagram, but I wouldn't have a face-to-face conversation with the owner. 

Fast forward to the spring 2016 semester at ASU. One of my friends posts on her Snap story that she's riding in a Mustang; "Oh, ok" I thought and was about to quickly go through the story, until something caught my eye: what looked like an air tank in where the backseat should have been. Sure enough, the next photo was a red Mustang GT, the same Mustang GT I kept seeing at car shows. And that is how I met Dalton and got to know about the man behind the machine. Being a photographer himself as well and seeing my work, both Dalton and I vowed to set up a photoshoot. One day, at least, since we were both engineering students, meaning time was not abundant.

 Fast forward again to last weekend, and after enduring our classes, Dalton and I finally got a plan together to take photos. With a date made and a location and time set, it was going to finally happen. Then, Dalton let me know that his friend, Rachel, would also like photos. Turns out she's the owner of the now-Nardo Grey (or as she calls it, Nardo Gay) bagged Mustang that I would also see at car shows. And, I had also gotten to talk to her before at a Pavilions Meet, shortly before the police came to kick us out.  My friend volunteered to drive my car so I could take rollers, and we were all set.

We took the rolling shots on the way to the static photoshoot location. In hindsight, we realized we should have dedicated the entire evening to either rolling shots or static shots due to lighting, but alas, it is what it is. The rolling shots were at the perfect time of day, with the perfect amount of reflections and sun for tasteful lens flares and golden highlights. The trip though was short, only around half a dozen miles, and the opportunities to take photos were further reduced by the need to merge behind them to get into exit lanes. Our route was down the State Route 51 from Bethany Home Rd, down to the I-10 West until we exited at 7th Ave. Looking at a map, you can see that it's not the longest of trips. Still though, 3/4ths of my body was out the window of my car, much to probably the shock and confusion of the evening traffic behind us (which, funny enough, didn't dare try to pass any of us), and I got these shots. 

Stay tuned for the static shots, as well as more information and detail about the cars!

Schumacher European

Continuing on the tour of North Scottsdale dealerships under the influence of Barrett Jackson, we come to Schumacher European Ltd. This one dealership had quite a few gems on display. I was first drawn to the blue Lamborghini Aventador SV (seen in the gallery later in the post), but as I was walking towards it, this caught my eye: a white SLS AMG Black Series. I've never seen a Black Series SLS AMG before, and I immediately walked into the dealership to look at it closer. As Frank, a sales associate, and I discussed, white is an incredible color for it. Being white, all of the carbon fiber bits added on to the SLS' body can be fully seen and appreciated, from the aggressive, wide wing to the splitter, canards, and diffuser. I just love how aggressive the car looks, matching its exhaust note and performance perfectly. The unique proportions add to its appeal, with its long hood and compact greenhouse tucked in the rear, surrounded by carbon fiber. I'm a sucker for white cars with black body parts, so to me the color is perfect. 

After admiring the white SLS AMG, I finally went outside to check out my original target, only to discover even more amazing metal present. I spent a good while talking to Sales and Leasing Consultant Irving about the cars in front of us, cars in general, and our participation in motorsports. It's always great talking to another car person, especially since every time it's a reminder of how diverse of a group of people we are. But, after the alarm to a Ferrari 458 was set off by another curious visitor and Irving had to find the keys to turn it off, I turned my attention to the three cars that were in front of me: another Mercedes SLS AMG Black Series, a Lamborghini Murcielago SV, and my original target, a beautiful, blue Lamborghini Aventador SV.

Frank was right, while black is a very nice color on the SLS AMG, giving it a very menacing look, it hides all the details of the carbon fiber that could be seen on the white one. While the black makes the rear end of the car ferocious looking, with the spoiler and diffuser clearly visible, the carbon fiber bits on the sides and fronts vanish into the blackness of the body. Still, it truly is an aggressive looking car. I went from having never seen a Black Series SLS AMG to have seen two in one day.

But, most of my attention was on the Aventador SuperVeloce. I've only seen a red one before, and that was in the cramped, crowded confines of Cars and Coffee. Now, I could freely walk around and soak in the liberal use of carbon fiber, aggressively sharp lines, and aero kit. I've always loved Lamborghini's sharp edges and lines, and in the SV, I love how that design philosophy was turned up to 11. Seeing the setting sun and beautiful Arizonan sky reflect off of those angled body panels was truly a sight to see. The blue, especially in the sunset, was so radiant. It just popped. I wish I could summon the proper words that would do it justice, but alas, all I have are the pictures to show. 

And, I can't forget the Murcielago SV parked next to the Aventador. However, with light getting scarce and the time I said I would be home having passed nearly 3 hours before, I did not take too many shots of it. And, in fact, I totally forgot about the two Ford GTs on display at the front of the dealership, including one heritage car, which is painted in a Gulf racing livery like the GT40s that raced in Le Mans. I was pretty upset about forgetting them, but at the same time, I was running out of light. Maybe some other time I will see them again. 

These two pictures deserved their own gallery. As of right now, I think these are the best pictures I've taken. I got lucky with the angle of the sun, my positioning, and the settings I chose to shoot at. See for yourself:

Lamborghini Aventador LP-750-4 Superveloce in the setting Arizonan sun

Generations of Raging Bulls in the setting sun.

Chinese Cultural Center Portrait Shoot Pt. 1

It seems like this is going to be a tradition now, as my good friend and I hung out and had a portrait shoot this Winter Break while she was back home from U of A (ew). Because she brought her qipao while she was in Taiwan, we decided to go take pictures in the Chinese Cultural Center since the Chinese theme would carry over into the environment. Of course, we had to take pictures of her in her dress though, so that came first. Lighting wasn't ideal in the garden because neither of us realized that the buildings nearby blocked a lot of the sun out, and we only had around an hour before sunset to shoot. Since there was still some pretty strong sunlight towards the walkway to the lake in the garden, I decided to try to take some shots where the sunlight would naturally create a lens flare and kind of wash out the image. It.... kinda worked, some instances better than others.

With all of the imitation architecture nearby though,we shifted taking photos to here. The windows allowed for those classic window poses, including looking out the window and sitting in the window frame. I had a few more shots, but they were too overexposed for me to save without the colors looking horrendously unnatural. As you can see, we had a lot of fun.

We couldn't ignore the pond with the koi though, so we took the first picture here. However, the sunset and reflection off the water made the sunlit parts in the original picture way overexposed and everything else way underexposed; I tried my best to correct for it. And, since I had my friend sitting on the railing and the sun was still up, I tried to get those dramatic pictures where the subject's head is right in front of the light source. I think it worked well.

Going back to the bridge and pondside, I thought a "attitude" shot was in order since she was wearing boots. But also, since she was also wearing a dress and I thought it would suit the environment we were shooting in, I thought that getting shots without any footwear on would be appropriate, too, as if one is kicking off their shoes to relax in a nice place like this. 

There are still some photos left from this shoot I need to edit, so stick around for them soon!